We have ended this third and final week of training in Paris with the same sense of excitement and wonder that we have been feeling since day one.
During this final week, we worked on metallic patinas and rust-like effects using this time acrylic glazing. What a treat! I had never used before metallic pigments. It’s so beautiful and delicate…
Here are other trials of aging patinas and oxidation. This time, we worked on plasters and moldings :
We have also been working on our stone wall. There is room for improvement, so I will definitely keep working on my technique. ^^
At the end of the week, we briefly touched on another chapter of wall decoration : creative coatings. Absolutely fascinating ! Although it was only an initiation with the tools and materials on small samples, I can’t wait to put it into practice on a larger scale in Hong Kong !
Many thanks to my professors Jean Pascal and Marie for their generosity and best wishes to my talented classmates. I hope our paths cross again very soon !
It’s time for me to finally be reunited with my little boy and sweet husband who have both been so patient and encouraging. One month is a long time to be far away from these guys !
During the second week of the workshop, we focused on the water-based glazing : the dextrin glazing.
It’s a non polluant mixture of of vinegar, water and dextrin (starch). This glazing allows you to work on your surface as long as you need, even if the paint dries. You can erase and restart easily. To fix it and work again on it without altering your base layer, you will need to varnish it with an oil-based glazing first.
This kind of painting is perfect to do the stone patinas. It gives a lot of effects. Here are some samples that I made. There is no thickness or added material, it’s super flat!
At the end of the week, we started working on a larger panel. We were asked to achieve two kinds of stones and a sky to review the different techniques that we saw previously. We will finish it during the third week of the workshop, I can’t wait !!
It’s been a week since I started the school training in Paris and it has already changed forever the way I see a stone, a wear or a patina.
During this first week, we learned how to use properly the basic material to create a patina with paint.
In the broadest sense, a patina is the worn-out look that appears on a surface or an object with time. In this training, the patinas represent the different paint treatments used to create a texture, an effect, a worn-out appearance or specific backgrounds to recreate a wood-like and stone-like effect or even a sky!
The patinas are very very thin. You count it in micron and it can be done with a water or an oil based glazing. During this first week, we’ve only used the oil based one so far.
The first two days were quite tough on me because of the travel, jet lag and the very aggressive smell of the oil glazing. I had headaches at the end of the day but it was worth it!
I could spend all day looking at the shelves of the workshop: so many samples, materials and little treasures.
For me, it is very strange to finally be able to put a name on techniques and procedures I have been using in my work, albeit instinctively. Up until now, I had never taken a proper painting class and have been an autodidact when it comes to creating a mural decor. Most of the effects I have created and gestures I have acquired are the results of endless trials and fortuitous findings. So it’s just wonderful to be able to theorize all these things!
Here are some pictures of my first trials. Still a long road to go when I see my instructor’s samples but I truly enjoy experimenting and practicing.
For more information about the workshop: http://www.gppf-formation.fr/formations-ipedec.php